{"id":930,"date":"2022-11-03T12:55:29","date_gmt":"2022-11-03T11:55:29","guid":{"rendered":"https:\/\/www.laurent-cuniot.com\/?page_id=930"},"modified":"2023-01-25T15:16:51","modified_gmt":"2023-01-25T14:16:51","slug":"projects-discography","status":"publish","type":"page","link":"https:\/\/www.laurent-cuniot.com\/en\/projects-discography\/","title":{"rendered":"Projects & discography"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”20px||||false|false” animation_style=”fade” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Projects<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n

Le chant de la terre<\/em> for mezzo-soprano, tenor and 16 instruments.<\/h4>\n

World Premiere on march 29th2024\u00a0 Monte-Carlo Printemps des arts festival.
Commissioned by the Festival and the Mahler Foundation.<\/p>\n

 <\/p>\n

S\u00e9r\u00e9nade \u00e9clat\u00e9e<\/em> for 2 clarinets, mandolin, guitar, harp and string trio. In memoriam Arnold Schoenberg.<\/h4>\n

World Premiere on november 2024 in Nanterre, Maison de la musique.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Discography<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”30px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Composer<\/strong><\/h4>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image1.jpg” title_text=”Image1″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” border_radii=”on|1px|1px|1px|1px” border_width_all=”1px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”50px||||false|false” global_colors_info=”{}”]- UNE\u00a0 Pour vibraphone, percussion et onze instrument
\n– EFJI\u00a0 Pour percussion solo
\n– REVERSE FLOWS:Pour alto, treize instruments et \u00e9lectronique<\/p>\n

Florent Jodelet<\/strong> : percussion solo
\nGenevieve Strosser<\/strong> : alto solo<\/p>\n

Ensemble TM+<\/strong><\/p>\n

Laurent Cuniot<\/strong> : direction
\nMarc Desmons<\/strong> : direction<\/p>\n

Merci pour les sons, 2021<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image2.jpg” title_text=”Image2″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”20px||||false|false” global_colors_info=”{}”]1. CINQ PIECES POUR HAMLET pour 7 voix et ensemble
\n2. LA LICE DES NUITS pour grand orchestre
\n3. L\u2019EXIL AU MIROIR pour 6 voix et bande magn\u00e9tique<\/p>\n

Liliane Mazeron<\/strong> soprano<\/p>\n

TM+ \/ Orchestre philharmonique de Radio-France \/Ensemble vocal A Sei Voci<\/strong><\/p>\n

Laurent Cuniot<\/strong> et Michel Tabachnik<\/strong> Direction<\/p>\n

Salabert, MFA Radio-France 1992<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Conductor<\/strong><\/h4>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image3.png” title_text=”Image3″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” border_radii=”on|1px|1px|1px|1px” border_width_all=”1px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”]<\/p>\n

R\u00e9gis Campo – Street-Art<\/strong><\/h5>\n

– Street-Art
\n– Sometimes with the Heart
\n– Oh Sweet Kisses !!
\n– Mysterium simplicatis : Rivi simplicitate
\n– Steamy Punk
\n– Pop-Art
\n– Morgenstern Lieder – Gruselett
\n– Morgenstern Lieder – Schmetterling
\n– Morgenstern Lieder – Himmel und Erde
\n– Erotique Rotative
\n– Une solitude de l’espace<\/p>\n

Sylvia Vadimova<\/strong> Voix<\/p>\n

Ensemble TM+<\/strong><\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

Signature \/ Radio France, 2018<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image4.jpg” title_text=”Image4″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n

Javier Alvarez – Progresion<\/strong><\/h5>\n

– Metal de Corazones<\/p>\n

Ensemble TM+<\/strong>
\nEnsemble Tambuco<\/strong><\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

Casete, 2014<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image5.jpg” title_text=”Image5″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n

Niels Rosing-Schow – Peinture du temps<\/strong><\/h5>\n

1. I giardini dietro la citt\u00e0
\n2. Vocabulary II
\n3. Spectre du temps
\n4. Empreintes du temps
\n5. Peinture du temps<\/p>\n

Rapha\u00e8le Kennedy<\/strong> Soprano<\/p>\n

Rolf-Erik Nystr\u00f6m<\/strong> Saxophone<\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

\u00a0Dacapo, 2013<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image6.jpg” title_text=”Image6″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”18px||||false|false” global_colors_info=”{}”]<\/p>\n

Bruno Mantovani – Troisi\u00e8me Round<\/strong><\/h5>\n

1. Troisi\u00e8me Round
\n2. La Morte Meditata
\n3. Turbulences<\/p>\n

Ensemble TM+<\/strong><\/p>\n

Sylvia Vadimova<\/strong> Mezzo-soprano
\nVincent David<\/strong> Saxophone<\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

Aeon, 2003<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image7.jpg” title_text=”Image7″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n

\u00a0Suzanne Giraud- To onein Paradise<\/strong><\/h5>\n

– To one in Paradise
\n– Envo\u00fbtements II,III & IV<\/p>\n

Sylvie Sull\u00e9<\/strong> Mezzo-soprano<\/p>\n

Orchestre Philharmonique de Radio-France<\/strong><\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

MFA Radio-France 2001<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image8.jpg” title_text=”Image8″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”5px||||false|false” global_colors_info=”{}”]<\/p>\n

Jos\u00e9-Luis Campana – Noctal<\/strong><\/h5>\n

1. Dholak
\n4. Noctal 2
\n5. Noctal 3<\/p>\n

Ensemble TM+<\/strong><\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

Skarbo, MFA-Radio-France, 1996<\/em><\/p>\n

 
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image9.jpg” title_text=”Image9″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Fran\u00e7ois Paris – Sur la nuque de la mer \u00e9toil\u00e9e et autres pi\u00e8ces<\/strong><\/h5>\n

1. Sur la nuque de la mer \u00e9toil\u00e9e
\n2. L\u2019octobre seul
\n3. Les cinq chants de l\u2019ombre blanche
\n4. Roque<\/p>\n

Donatienne Michel-Dansac<\/strong> Soprano
\nC\u00e9cile Daroux<\/strong> Fl\u00fbtes
\nFlorian Lauridon<\/strong> Violoncelle<\/p>\n

Ensemble TM+<\/strong><\/p>\n

Laurent Cuniot<\/strong> Direction<\/p>\n

Ensemble Itin\u00e9raire<\/p>\n

Pascal Roph\u00e9<\/strong> Direction<\/p>\n

MFA \u2013 Radio France, 1995<\/em><\/p>\n

 
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Collector<\/strong><\/h4>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image10.jpg” title_text=”Image10″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”50px||||false|false” global_colors_info=”{}”]<\/p>\n

R\u00e9pertoire Trio instrumental \u00e9letroacoustique TM+<\/strong><\/h5>\n

– Denis Dufour<\/strong> R\u00eave lisse
\n– Yann Geslin<\/strong> Volum\u00e9triques
\n– Laurent Cuniot<\/strong> Quatuor pour violon, violoncelle et 2 synth\u00e9tiseurs
\n– Philippe Mion<\/strong> Trois esquisses ouvertes
\n– Bernard Parmegiani<\/strong> Stries<\/p>\n

Denis Dufour et Yann Geslin<\/strong> synth\u00e9tiseurs<\/p>\n

Laurent Cuniot<\/strong> violon et synth\u00e9tiseurs<\/p>\n

Pierre Champagne<\/strong> violoncelle<\/p>\n

INA-GRM 1984<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image11.jpg” title_text=”Image11″ _builder_version=”4.18.0″ _module_preset=”default” width=”70%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n

Guy Reibel – Douze inventions en six modes de jeu<\/strong><\/h5>\n

Pour trio d’instruments \u00e9lectroacoustiques et bande magn\u00e9tique<\/p>\n

Trio Instrumental \u00c9lectroacoustique<\/strong><\/p>\n

Laurent Cuniot, Denis Dufour et Yann Geslin<\/strong> synth\u00e9tiseurs et corps sonores<\/p>\n

Enregistrement au Grand Auditorium, Maison de la Radio, Paris, 7 mai 1979<\/p>\n

Karlrecords, 2015 (version 1979)<\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

ProjectsLe chant de la terre for mezzo-soprano, tenor and 16 instruments. World Premiere on march 29th2024\u00a0 Monte-Carlo Printemps des arts festival.Commissioned by the Festival and the Mahler Foundation.   S\u00e9r\u00e9nade \u00e9clat\u00e9e for 2 clarinets, mandolin, guitar, harp and string trio. In memoriam Arnold Schoenberg. World Premiere on november 2024 in Nanterre, Maison de la musique.DiscographyComposer- […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

[et_pb_section fb_built=\"1\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"20px||||false|false\" animation_style=\"fade\" global_colors_info=\"{}\"][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"]<\/p>

Projets<\/h1>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"||0px|||\" global_colors_info=\"{}\"]<\/p>

Futurs contenus rubrique projets<\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"]<\/p>

Discographie<\/h1>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_margin=\"30px||||false|false\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"]<\/p>

Compositeur<\/strong><\/h4>

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- UNE\u00a0 Pour vibraphone, percussion et onze instrument
- EFJI\u00a0 Pour percussion solo
- REVERSE FLOWS:Pour alto, treize instruments et \u00e9lectronique<\/p>

Florent Jodelet<\/strong> : percussion solo
Genevieve Strosser<\/strong> : alto solo<\/p>

Ensemble TM+<\/strong><\/p>

Laurent Cuniot<\/strong> : direction
Marc Desmons<\/strong> : direction<\/p>

Merci pour les sons, 2021<\/em><\/p>

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1. CINQ PIECES POUR HAMLET pour 7 voix et ensemble
2. LA LICE DES NUITS pour grand orchestre
3. L\u2019EXIL AU MIROIR pour 6 voix et bande magn\u00e9tique<\/p>

Liliane Mazeron<\/strong> soprano<\/p>

TM+ \/ Orchestre philharmonique de Radio-France \/Ensemble vocal A Sei Voci<\/strong><\/p>

Laurent Cuniot<\/strong> et Michel Tabachnik<\/strong> Direction<\/p>

Salabert, MFA Radio-France 1992<\/em><\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_margin=\"||||false|false\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"]<\/p>

Interpr\u00e8te<\/strong><\/h4>

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R\u00e9gis Campo - Street-Art<\/strong><\/h5>

- Street-Art
- Sometimes with the Heart
- Oh Sweet Kisses !!
- Mysterium simplicatis : Rivi simplicitate
- Steamy Punk
- Pop-Art
- Morgenstern Lieder - Gruselett
- Morgenstern Lieder - Schmetterling
- Morgenstern Lieder - Himmel und Erde
- Erotique Rotative
- Une solitude de l'espace<\/p>

Sylvia Vadimova<\/strong> Voix<\/p>

Ensemble TM+<\/strong><\/p>

Laurent Cuniot<\/strong> Direction<\/p>

Signature \/ Radio France, 2018<\/em><\/p>

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Javier Alvarez - Progresion<\/strong><\/h5>

- Metal de Corazones<\/p>

Ensemble TM+<\/strong>
Ensemble Tambuco<\/strong><\/p>

Laurent Cuniot<\/strong> Direction<\/p>

Casete, 2014<\/em><\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image5.jpg\" title_text=\"Image5\" _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" width=\"70%\" sticky_enabled=\"0\"][\/et_pb_image][\/et_pb_column][et_pb_column type=\"3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" custom_margin=\"20px||||false|false\" sticky_enabled=\"0\"]<\/p>

Niels Rosing-Schow - Peinture du temps<\/strong><\/h5>

1. I giardini dietro la citt\u00e0
2. Vocabulary II
3. Spectre du temps
4. Empreintes du temps
5. Peinture du temps<\/p>

Rapha\u00e8le Kennedy<\/strong> Soprano<\/p>

Rolf-Erik Nystr\u00f6m<\/strong> Saxophone<\/p>

Laurent Cuniot<\/strong> Direction<\/p>

\u00a0Dacapo, 2013<\/em><\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image6.jpg\" title_text=\"Image6\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_image][\/et_pb_column][et_pb_column type=\"3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" custom_margin=\"18px||||false|false\" sticky_enabled=\"0\"]<\/p>

Bruno Mantovani - Troisi\u00e8me Round<\/strong><\/h5>

1. Troisi\u00e8me Round
2. La Morte Meditata
3. Turbulences<\/p>

Ensemble TM+<\/strong><\/p>

Sylvia Vadimova<\/strong> Mezzo-soprano
Vincent David<\/strong> Saxophone<\/p>

Laurent Cuniot<\/strong> Direction<\/p>

Aeon, 2003<\/em><\/p>

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\u00a0Suzanne Giraud- To onein Paradise<\/strong><\/h5>

- To one in Paradise
- Envo\u00fbtements II,III & IV<\/p>

Sylvie Sull\u00e9<\/strong> Mezzo-soprano<\/p>

Orchestre Philharmonique de Radio-France<\/strong><\/p>

Laurent Cuniot<\/strong> Direction<\/p>

MFA Radio-France 2001<\/em><\/p>

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Jos\u00e9-Luis Campana - Noctal<\/strong><\/h5>

1. Dholak
4. Noctal 2
5. Noctal 3<\/p>

Ensemble TM+<\/strong><\/p>

Laurent Cuniot<\/strong> Direction<\/p>

Skarbo, MFA-Radio-France, 1996<\/em><\/p>

\u00a0<\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image9.jpg\" title_text=\"Image9\" _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" width=\"70%\" sticky_enabled=\"0\"][\/et_pb_image][\/et_pb_column][et_pb_column type=\"3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p>

Fran\u00e7ois Paris - Sur la nuque de la mer \u00e9toil\u00e9e et autres pi\u00e8ces<\/strong><\/h5>

1. Sur la nuque de la mer \u00e9toil\u00e9e
2. L\u2019octobre seul
3. Les cinq chants de l\u2019ombre blanche
4. Roque<\/p>

Donatienne Michel-Dansac<\/strong> Soprano
C\u00e9cile Daroux<\/strong> Fl\u00fbtes
Florian Lauridon<\/strong> Violoncelle<\/p>

Ensemble TM+<\/strong><\/p>

Laurent Cuniot<\/strong> Direction<\/p>

Ensemble Itin\u00e9raire<\/p>

Pascal Roph\u00e9<\/strong> Direction<\/p>

MFA \u2013 Radio France, 1995<\/em><\/p>

\u00a0<\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"]<\/p>

Collector<\/strong><\/h4>

[\/et_pb_text][et_pb_image src=\"https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image10.jpg\" title_text=\"Image10\" _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" width=\"70%\" sticky_enabled=\"0\"][\/et_pb_image][\/et_pb_column][et_pb_column type=\"3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_text][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" custom_margin=\"50px||||false|false\" sticky_enabled=\"0\"]<\/p>

R\u00e9pertoire Trio instrumental \u00e9letroacoustique TM+<\/strong><\/h5>

- Denis Dufour<\/strong> R\u00eave lisse
- Yann Geslin<\/strong> Volum\u00e9triques
- Laurent Cuniot<\/strong> Quatuor pour violon, violoncelle et 2 synth\u00e9tiseurs
- Philippe Mion<\/strong> Trois esquisses ouvertes
- Bernard Parmegiani<\/strong> Stries<\/p>

Denis Dufour et Yann Geslin<\/strong> synth\u00e9tiseurs<\/p>

Laurent Cuniot<\/strong> violon et synth\u00e9tiseurs<\/p>

Pierre Champagne<\/strong> violoncelle<\/p>

INA-GRM 1984<\/em><\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_divider _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"2_5,3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" custom_padding=\"0px||||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"2_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/www.laurent-cuniot.com\/wp-content\/uploads\/2022\/12\/Image11.jpg\" title_text=\"Image11\" _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" width=\"70%\" sticky_enabled=\"0\"][\/et_pb_image][\/et_pb_column][et_pb_column type=\"3_5\" _builder_version=\"4.18.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.18.0\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" custom_margin=\"20px||||false|false\" sticky_enabled=\"0\"]<\/p>

Guy Reibel - Douze inventions en six modes de jeu<\/strong><\/h5>

Pour trio d'instruments \u00e9lectroacoustiques et bande magn\u00e9tique<\/p>

Trio Instrumental \u00c9lectroacoustique<\/strong><\/p>

Laurent Cuniot, Denis Dufour et Yann Geslin<\/strong> synth\u00e9tiseurs et corps sonores<\/p>

Enregistrement au Grand Auditorium, Maison de la Radio, Paris, 7 mai 1979<\/p>

Karlrecords, 2015 (version 1979)<\/em><\/p>

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