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The sound of Bach, Schumann, Brahms\u2026. which accompanied my listening since the most distant childhood. Then came the sound of my violin\u2019s four strings, then the new technology sounds, discovered during adolescence.<\/p>\n
Originally there is sound and movement. The movement of the bow, which gave me the sense of musical phrasing, the conductor\u2019s arm, and even more his hands and full body movements. Gestures that shape and sculpt sound material, transmitting and combining energies.<\/p>\n
And within the achievement of this extraordinary, sound absorbing experience, comes the act of composing, of giving a meaning to the sound.<\/p>\n
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The marvel of musical writing shapes time through the silence of thoughts, imagination, and technical sophistication. It elaborates astonishing sound universes developing a powerful, wordless language filled with emotion and metaphoric, captivating strength.<\/p>\n
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If composing is an art (in my view, the most complicated art as well as poetry), listening is a knowledge. It\u2019s not a technical knowledge but a predisposition. It allows the public to grow an active, concentrated listening, able to discern the fundamental dimensions of the music and deeply perceive it.<\/p>\n
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That is why, beyond the activities of composing, conducting, teaching and leading a musical ensemble, I have also been a mediator. I am convinced that musical creation has no bounders, and each one of us is able to find his own listening key to the music. TM + Ensemble\u2019s 25-year-old in-residence activities in Nanterre strongly confirm my confidence.<\/p>\n
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The Masters of the past, engraved in my childhood, as well as those who shaped the 20th century extraordinary musical adventure, formed my musical being. A century that achieved its Copernican Revolution. The various avant-gardes left us in heritage a both renewed and rooted in history musical language, \u00a0from polyphonic technics to\u00a0 digital tools.<\/p>\n
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I make it a point in maintaining the close dialogue I preserve with the composers of the past and present, with numerous interpreters, and in particular TM+ interpreters. This companionship composers and interpreters is an essential dimension of my musical life.<\/p>\n
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OriginallyOriginally, there is sound. The sound of Bach, Schumann, Brahms\u2026. which accompanied my listening since the most distant childhood. Then came the sound of my violin\u2019s four strings, then the new technology sounds, discovered during adolescence. Originally there is sound and movement. The movement of the bow, which gave me the sense of musical phrasing, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"
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Celui des \u0153uvres de Bach, Schumann, Brahms\u2026 entendu tout au long de l\u2019enfance, puis celui des quatre cordes du violon d\u00e8s l\u2019\u00e2ge de sept ans, puis celui issu des nouvelles technologies d\u00e9couvert \u00e0 l\u2019adolescence.<\/p>
A l\u2019origine il y a le son et le geste. Celui de l\u2019archet qui m\u2019a donn\u00e9 mon sens du phras\u00e9, du bras du chef d\u2019orchestre et plus encore, des mains, du corps tout entier qui fa\u00e7onnent, sculptent la mati\u00e8re sonore, transmettent et f\u00e9d\u00e8rent l\u2019\u00e9nergie. Et dans l\u2019accomplissement de cette exp\u00e9rience sensible hors norme, il y a l\u2019acte de composer, de donner du sens au son.<\/p>
Il y a le prodige de l\u2019\u00e9criture musicale qui dans le silence de la pens\u00e9e, de l\u2019imagination mais aussi par sa sophistication technique, mod\u00e8le le temps, \u00e9labore des univers sonores inou\u00efs, d\u00e9veloppe un langage sans paroles dont la puissance m\u00e9taphorique d\u00e9place, saisit, transperce d\u2019\u00e9motion.
Si composer est un art (\u00e0 mes yeux le plus complexe avec la po\u00e9sie), \u00e9couter est un savoir. Non pas un savoir technique, mais une pr\u00e9disposition qui permet \u00e0 l\u2019\u00e9coute d\u2019\u00eatre active, concentr\u00e9e, en mesure de discerner, de go\u00fbter pleinement les dimensions fondamentales de l\u2019\u0153uvre d\u00e9couverte. De ne pas rester \u00ab\u00a0en surface\u00a0\u00bb.<\/p>
C\u2019est pourquoi \u00e0 mes activit\u00e9s de compositeur, de chef d\u2019orchestre, de professeur, de directeur musical d\u2019un ensemble j\u2019y ai toujours associ\u00e9 celui de m\u00e9diateur, convaincu qu\u2019il n\u2019y a pas de territoires r\u00e9serv\u00e9s \u00e0 la cr\u00e9ation musicale, et que tout un chacun est en mesure de se saisir des \u00ab\u00a0clefs d\u2019\u00e9coute\u00a0\u00bb qu\u2019on lui tend. La r\u00e9sidence de TM+ \u00e0 Nanterre depuis plus de 25 ans en est un exemple flagrant.<\/p>
Aux ma\u00eetres du pass\u00e9 inscrits dans l\u2019enfance se sont joints en moi tous ceux qui ont fa\u00e7onn\u00e9 l\u2019extraordinaire aventure musicale du XX\u00b0 si\u00e8cle, ce si\u00e8cle qui a accompli sa r\u00e9volution copernicienne et dont les diff\u00e9rentes avant-gardes nous laissent en h\u00e9ritage un langage musical \u00e0 la fois renouvel\u00e9 et enracin\u00e9 dans l\u2019histoire, des techniques polyphoniques aux outils num\u00e9riques.<\/p>
Ce dialogue \u00e9troit avec les compositeurs du pass\u00e9 comme du pr\u00e9sent, je l\u2019entretiens de mani\u00e8re privil\u00e9gi\u00e9e avec de nombreux interpr\u00e8tes et en particulier ceux de TM+ dont le compagnonnage est une dimension essentielle de ma vie musicale<\/p>
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